Lady Chatterley's Lover is a novel by the English writer D. H. Lawrence written in 1928 and originally released to Florence. The work immediately caused a scandal by the explicitly described sex between an aristocratic woman and a worker and would in 1960 for the first time in the United Kingdom are issued.
Lawrence thought at one time to call his book Tenderness and made some adjustments in the original manuscript to the more accessible. The book was released in three different versions.
- 2 Discussion
- body and mind 3
- 4 Controversy
- 5 cultural influence
- 6 Operations
- 7 external links
- 8 References
- 9 Sources
Read warning: text below contains details about the content and/or the end of the story.
The story is about the young rich Constance Chatterley. Her husband, Sir Clifford Chatterley, during the first world war disabled is hit and since then no longer able to satisfy her sexually. She starts a relationship with the young gamekeeper Oliver Mellors and becomes pregnant by him. Her husband is nevertheless prepared to recognize and the child as heir to point to. Next, separate the two from each other and Constance andOliver go together lead a simple life.
The book caused a scandal. Both the unusual relationship explicitly described as the sex scenes are the reason.
Love and personal relationships are the main themes of the book. Individual regeneration can only be found in a relationship between man and woman and in some cases between two men ... Lawrence looks at a wide range of different relationship types. There is the brutal relationship between Mellors and his wife Bertha, who punishes him by denying him pleasure. Tommy Dukes has no relationship, because he is not a woman finds that he respects intellectually and that it wishes to receive. There is also the perverse, maternal relationship between Clifford and Mrs. Bolton, when Connie leaves him.
Richard Hoggart argues that the main subject of Lady Chatterley's Lover not the sex scenes were those to the debate behind, but the search for integrity and sense of complete.  the key to this integrity is cohesion between the mind and body, because "the body without mind is brutish; mind without body ... running away from our double being. "  the book focuses on the incoherence of a life that "only consists of the spirit".Lawrence saw this as the norm with the young members of the aristocratic class, as can be seen in his description of Constance and her sister Hilda's love affairs in their youth:
So they had given the gift of themselves, each to the youth with whom she had the most subtle and intimate arguments. The arguments, the discussions were the great thing: the love-making and connexion were only sort of primitive reversion and a bit of an anti-climax. (They had given the gift of themselves, each to the youth with whom she had the most subtle and intimate conversations. The talks, the discussions were the great: the love and the connection were just some sort of primitive recurrence and something of an anti-climax.) 
The contrast between mind and body can be seen in the dissatisfaction that had them all with their previous relationships: Constance ' lack of intimacy with her husband who "only consists of mind" and Mellors ' choice to live apart from his wife because of her "brutish" sexual nature.  these dissatisfactions lead them into a relationship that builds very slowly and is based upon tenderness, physical passion, and mutual respect. As the relationship between Lady Chatterley and Mellors develops, they learn more about the interrelation between mind and body; she learns that sex is more than a sinful and sobering deed and he learns about the spiritual difficulties.
Neuro-psychoanalyst Mark Blechner, a, identifies the "Lady Chatterley phenomenon": the same sexual act can affect people differently at different times, depending on their sentiment.  he bases this on the scene in which Lady Chatterley feels disengaged from Mellors and thinks disparagingly about the sexual act: "And this time the sharp ecstasy of her own passion did not overcome her; she lay with hands inert on his striving body and do what she might, her spirit seemed to look on from the top of her head and the butting of his haunches seemed ridiculous to her and the sort of anxiety of his penis to come to its little evacuating crisis seemed farcical. Yes, this was love, this ridiculous bouncing of the buttocks and the wilting of the poor insignificant, moist little penis. " (And this time came the sharp ecstasy of her own passion not about her; she lay with her hands slap on his body and did what she could, her mind seemed to look beyond its and the punches of his hips seemed her ridiculous and the strain of his penis to come to his small evacueringscrisis seemed to be a farce. Yes, this was love, this ridiculous punches from the bottom and the tougher of the poor insignificant, soft small penis.)  shortly after, companies experience the love them again and this time they a huge physical and emotional togetherness: "And it seemed she was like the sea, nothing but dark waves rising and heaving, heaving with a great swell, so that slowly her whole darkness was in motion and she was ocean rolling its dark, dumb mass." (It seemed like she was like the sea, nothing but dark waves that rolling, rolling with a big run up, so that slowly her whole darkness set in motion is and she was rolling a Ocean her dark, dumb mass)  Neurological studies of the "Lady Chatterley phenomenon" can the presence of a place in the brain for the subjective sexual tension proofs, or contradict the phenomenon.
In 1960, when the book was published in Great Britain , morphed into the trial of the Publisher, Penguin Books, a public matter and the test of the new Obscene Publications Act from 1959. The 1959 law made it possible to let the publishers to escape prosecution if they could show that a work of literary value was. One of the lenses was the frequency of words like "fuck" and its derivatives.
Multiple academic critics including e. m. Forster, Helen Gardner, Richard Hoggart, Raymond Williams and Norman St John-Stevaswere called as a witness. On 2 november 1960 Penguin Books was declared innocent.As a result, greater freedom in publishing explicit material given in the United Kingdom. The prosecution was criticized as that it is not called with the changing social norms, especially when Prosecutor Mervyn Griffith-Jones, asked if it was a book that "you wish your wife or servant could read".
In 1961 came the Second Edition on the market, these contained a foreword from the Publisher in which the incident was explained. The second edition of the book was dedicated to the twelve jurors, three women and nine men, which Penguin Books had declared innocent.
In Australia, both the original book as a book that described the British process, The Trial of Lady Chatterley, banned. A copy was smuggled into the country and then released in the 1960s. This eventually led to the watering down of the censorship of books. Nevertheless, the Office of Film and Literature Classification is retained. Where the Office finds, offensive or obscene material to the discussed will they refuse to classify.Books and films that are not classified, cannot legally be released. 
In 1930 an amendment for senator Bronson Cutting introduced the Smoot-Hawley Tariff Act. The intention was to the censorship that was carried out by the US Customs on books that were introduced to counter.Senator Reed Smoot was a great opponent of this. He threatened publicly obscene passages of imported books to read to the Senate. Although he didn't do this, he took on Lady Chatterley's Lover as an example of an obscene book that never was allowed to reach the general public. Smoot declared that he had read only the first pages of the book. The writer was "a sick mind with a soul so black that he would obscure even the darkness of hell". 
The film in New York (1981) was subject of an attempt at censorship, because it would condone adultery. The Supreme Court stated that the law prohibiting its showing was a the first amendment's protection of free speech. 
The book was in the United States by Frances Steloff of Gotham Book Mart issued, despite the ban.
The case was brought before three judges of the Supreme Court of India. The law was declared applicable on the book, after it was subjected to some tests.
In the United States the free publication of Lady Chatterley's lover was a significant event in the sexual revolution. The book was then an important topic of debate. In 1965 Tom Lehrer took a satirical number called "Smut", in which the singer declares to enjoy such material; "Who needs a hobby like tennis or philately?/I've got a hobby: rereading Lady Chatterley (Who has a hobby as tennis or Philately?/i have a hobby: rereading Lady Chatterley ).
British poet Philip Larkin poem Annus Mirabilis begins with a reference to the process:
- Sexual intercourse began
- In nineteen sixty-three
- (which was rather late for me)-
- Between the end of the "Chatterley"ban
- And The Beatles ' first LP.
- (Sexual relations started,
- In 1963,
- What was rather late for me
- -Between the end of the Chatterleyban
- And The Beatles ' first record)
Lady Chatterley's Lover was reworked several times for the screen:
- In 1955 starring Dani elle Darrieux; was banned in the United States.
- Just Jaeckin In 1981 filmed with Sylvia Kristel and Nicholas Clay.
- In 1993 a version entitled Lady Chatterley directed by Ken Russell with Joely Richardson and Sean Bean for BBC.
- In 1998, Viktor Polesný filmed filmed a Czech version with Zdena Studenková (Constance), Marek Vašut (Clifford) and Boris Rösner (Mellors) .
- In 2006 , the book was made into a film in French by Pascale Ferran  with Marina Hands as Constance and Jean-Louis Coulloc'h as the Mellors. The film won the Cesar Award in 2007. Marina Hands on theTribeca Film Festival was named best actress.  the film was based on John Thomas and Lady Jane, Lawrence's second version of the story.
BBC Radio 4 played in september 2006 an edit for radio.
The British playwright John Harte wrote already in 1953 a successful play in three acts. It was only in the 1960s would be carried out. This play would be the only continue that by the widow of the author, Frieda von Richthofen would be read and approved. Despite her attempts to play all to bring on stage in the 1950s, Baron Philippe de Rothschild gave his rights only on later on.